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Vanishing Point Perspective

Capturing our three dimensional world in the two dimensions of a photo is inherently problematic. Without special care, it is very easy to produce an image that is flat, lifeless, and boring. Luckily, there are several techniques for creating a sense of depth in photography,  and probably the most recognizable of these is highlighting the vanishing point perspective.

Vanishing PointVanishing Point perspective is a feature of the natural world, so technically, most of our photographs make use of it to some extent, though it’s not always visible. As we all know, objects that are farther away from us appear smaller, so when a set of parallel lines gets further away from us, the distance between them appears to get smaller and the lines converge. However, without an obvious set of converging lines or a series of regular objects of diminishing size, it can be difficult to detect this phenomenon in a photograph, and thus, we lose one of our most important methods of distinguishing the depth and space between objects.

Pike Place Market at Night, Seattle

Pike Place Market at Night, Seattle

In order to emphasize vanishing point, then, it is important to include significant portions of the orthogonal lines (ie, the parallel lines that are converging), and usually, the point at which they merge (or would merge) in the distance.  Using a wide angle lens exaggerates the angles of convergence, assuming that you’re close enough to the lines (or objects) that they are sufficiently large in the foreground, and consequently provides a more dramatic Vanishing Point perspective.

In addition to creating depth in a photo, the strong lines direct the viewer’s eye movement though the photo. The orthogonal lines act as “leading lines”, leading the eye deeper into an important part of the photo. Consequently, many photographers place the subject of the photo at their point of convergence, insuring that the viewer will be drawn to it. That point of convergence is also frequently placed at one of the “Rule of Thirds” intersection points, as it becomes the subject of the photo in the absence of any element that outweighs it. Keep in mind that it is also possible to have multiple Vanishing points in an image, though one is the most common. Multiple vanishing points can create an image that is more complex and interesting, but being more complex, it is harder to ensure that the viewers eye moves steadily through the photo.

Tree Farm, by Matthew Gore

Examples?

Again, rather than filling this gallery with my own images, I’d like to see some of yours!  They don’t need to be artistically or technically perfect… simply email me your photo (any size) that is a clear example of Vanishing Point perspective, and I’ll add it to the gallery below. Please also include how you’d like your name to appear in the byline, either as your username here, or your real name.

[Please note that the articles in the Composition series are being published in the order that they’re completed, not necessarily in order of importance.]

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James
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James

Vanishing point is probably my favourite. Especiallly as I love architectural photography, it is normal that I like anything that is about lines. :)

Here are my examples:

 

James
Member
James

Yay, linked my image without having to upload it again to another website! :)

© James (cmcvs)

James
Member
James

And there is also this one:

The Empty Green Road by James (cmcvs)

M. C. Ragaza
Member
M. C. Ragaza

I am learning things here I never learned from photography books I’ve bought. Thanks!

weng
Member
weng

Wow,,,1547 is such a beautiful picture..

Matthew Gore
Guest

Thanks Weng :) It was such an easy shot… pulled the car over, walked back a hundred meters, found an angle I liked, and shot. No hiking, no waiting, no planning. It’s always nice when they actually work out like that.

weng
Member
weng

You’re welcome! it just makes me wonder though if I have to have an expensive lens (ie. L lens) just to get this kind of image quality..

 

Matthew Gore
Guest

This particular shot was tripod mounted, probably shot at f/8 (I’d have to look it up), and that may have helped with the image quality, but otherwise, there’s no reason you couldn’t take this photo with a Canon 18-55  kit lens.

I shot this one with a Nikon, though… I’d have to look up the lens to be sure.

– Matthew

weng
Member
weng

Ohh ok, thanks Matt..

labradorguy
Member

1547 is a beautiful shot. Great job. :)