sony a6500 vs Sony a6300 banner

Sony a6300 vs a6500: A Quick Comparison

Only seven months after the Sony a6300 began shipping in the USA, Sony announced the a6500. The a6500 is not intended as a replacement for the a6300 so much as a step-up in the camera line.

So which one should you buy? They’re both incredible cameras for their price points, but there’s no use in paying for features that you’ll never need: if you can, you should always save money on a camera body to spend more on high quality lenses.

The Sony a6500 adapted to the Sony 300mm F/2.8G II Stabilized Lens
The Sony a6500 adapted to the Sony 300mm F/2.8G II Stabilized Lens

Where They Are Different

Let’s begin by taking a look at where these cameras differ and where they are the same. Where one camera is better, the table cell is highlighted in green, although “better” is occasionally subjective.

Sony a6300Sony a6500
Price (Body)$1,499.95$1,499.00
Body MaterialMagnesium AlloyMagnesium Alloy
LCD Size3" TFT
921,600 pixel
3" TFT
921,600 pixel
Viewfinder2.36 Megapixel OLED2.36 Megapixel OLED
Continuous Live View
(no black out)
Up to 8fpsUp to 8fps
ArticulatingYes (up 90 deg., down 45degrees)Yes (up 90 deg., down 45degrees)
Touch SensitiveYesYes
Touch FocusNoYes
Sensor24.2 Megapixel Exmor24.2 Megapixel Exmor
ISO Range100-25600
Shutter Speeds30-1/4000th sec
Expected Shutter LifeN/A
(probably 100k-150k)
200,000 shots
In Body StabilizationNoYes,5-Axis (5-stops)
Focusing System4D FOCUS4D FOCUS
Focus Speed0.05 sec. claimed0.05 sec. claimed
AF Points425 Phase Detection
169 Contrast
425 Phase Detection
169 Contrast Detection
Frame Rate11, 8, 6, or 3 fps11, 8, 6, or 3 fps
Buffer Size44 JPG Extra Fine shots
21 RAW Shots
233 JPG Extra Fine shots
107 RAW Shots
Flash Sync Speed1/160th sec.1/160th sec.
High Speed SyncYesYes
Wireless Flash CommanderYesYes
Video Resolutions4K, 1080p, 720p4K, 1080p, 720p
Video Capture Method6K capture, oversampled6K capture, oversampled
Video Frame Rates4K @ 30, 25, 24 fps
1080 @ 120, 100, 60, 50, 30, 25, 24 fps
720 @ 30, 25 fps
4K @ 30, 25, 24 fps
1080 @ 120, 100, 60, 50, 30, 25, 24 fps
720 @ 30, 25 fps
Video CodecXAVC S MPEG-4, AVCHD Ver 2., MP4
Video Picture Profiles
& Gamma
Yes, +S-log3, S-log2, S-GamutYes, +S-log3, S-log2, S-Gamut
Clean HDMI Out?Yes, 4:2:2 8-bit 4K and 1080, with time codeYes, 4:2:2 8-bit 4K and 1080, with time code
Card SlotsMutli-slot for UHS-I SDXC, microSDXC, Memory Stick DuoMutli-slot for UHS-I SDXC, microSDXC, Memory Stick Duo
ConnectorsMicro USB, HDMI Micro, 3.5mm Mic (stereo)Micro USB, HDMI Micro, 3.5mm Mic (stereo)
BluetoothNoYes, 4.1
Battery Life350 Shots (viewfinder)
400 Shots (LCD)
310 Shots (viewfinder)
350 Shots (LCD)
Body SizeApprox. 120 x 66.9 x 48.8 mmApprox. 120 x 66.9 x 53.3mm
Weight361g (no card or battery)
404g (with battery and card)
410g (no card or battery)
453g (w/card & battery)
Customizable Buttons910
Weather SealingYesYes
Headphone JackNoNo

Image Stabilization & Focus

In-body image stabilization is the big, important difference between these two cameras, and for those who will use it, it should justify the higher price of the a6500. Sony’s Steadyshot Inside 5-axis image stabilization system promises 5-stops worth of stabilization, which is remarkable: if you’re using a 180mm non-stabilized lens, the rule of thumb is that you’d need a shutter speed of over 1/250th sec. to hand-hold a shot without significant impact from camera shake1 The rule is 1/focal length, which would appear to mean 1/180th, but this is an APS-C, so the 1.5x crop factor makes it 1/270th sec. I rounded down. . With the a6500, you should be able to hand hold the same shot at 1/8th sec.

And you’ll get this benefit with the best, non-stabilized lenses available. Want to use Sigma’s ART series 18-35 f/1.8, or 50mm f/1.4 lenses, or the 30mm f/1.4 C? You’ll get them, stabilized… something Canon and Nikon can’t do (though Pentax can).

That said, when you have an f/1.4 lens and a camera that can easily shoot at ISO 3200-6400 (or higher), stabilization is less important than it once was.

Both cameras share the same autofocus system: the same number of AF points, the same type of AF points, and the same AF speed. The only difference? The a6500 has touch-pad focus control, too.

Processor & Buffer

The BIONZ processor of the a6500 has a new front-end LSI, just like the new a99 II, where a custom front-end LSI dramatically improved the camera’s performance. A front-end LSI (Large Scale Integration) is a microprocessor that performs a first stage of specialized operations on the data before sending it to the main processor, making it more fast and efficient.

How does this affect the a6500? So far, the only way that we know for sure is that it allows for the increase in the camera’s buffer size. While the a6300 can shoot 21 RAW shots in a row at full speed, the a6500 can shoot 107.  Though few photographers will actually need to shoot that many consecutive shots, it does mean that there is almost no risk of running out of buffer space while shooting multiple shorter bursts when on a sports assignment.

There is some possibility that the front-end LSI will create a small advantage for the a6500 when dealing with sensor noise, but that remains to be seen, and will likely be insignificant.

Body & Screens

The magnesium alloy bodies of the a6500 and a6300
The magnesium alloy bodies of the a6500 and a6300 have some strong similarities, as can be seen here.

The differences in the bodies and controls between the two cameras are minor. First, they both have durable magnesium alloy bodies with weather sealing. They both have the same fast, sharp EVF. The bodies are virtually the same size, though the a6500 is about 5mm thicker to accommodate the stabilization system. Unsurprisingly, the a6500 is about 50g heavier than its predecessor (50g is about the weight of a medium chicken egg).

a6500 and a6300 backs
The backs of the a6300 and a6500 show minimal differences.

However, there are some significant differences. The most important is that the rear LCD of the a6500 supports touch-pad focusing when shooting video or photos with live view. This means that you can easily track your subject with your finger on the screen, or pull focus on a subject with just a touch when shooting video.

The a6500 has been given an additional custom button, located on the top of the camera: it now has C1, C2 and C3, while the a6300 has only C1 and C2. The grip and main thumb control dial have some minor differences in ergonomics.

Overhead view of a6500 and a6300
Overhead view of the a6500 and a6300 showing the differences in custom function buttons and shutter release button.

Who Should Buy the a6500?

Almost everyone will benefit from image stabilization now and then. So, perhaps it will make more sense this time to point out who will not benefit much from buying the a6500 rather than the a6300:

  • if you shoot action and want sharp images, the stabilization won’t be much help: you’ll still need fast shutter speeds. Stabilization only helps with camera shake, not subject movement.
  • if you’re a landscape photographer, portrait photographer, product photographer, or any other type of photographer that regularly shoots from a tripod, then you don’t need the a6500’s stabilization. It does the same thing as a tripod, only not as well.
  • if you always shoot with flash or strong, bright light, you’ll be fine with the a6300. Not sure who this would be.
  • if all of your lenses are already stabilized, or if the lenses you’d use are stabilized, then getting the a6500 probably won’t add much benefit. It may give you an extra stop of stability, but probably maybe not a few hundred dollars worth.
  • if you’re a vlogger/YouTuber who keeps the camera tripod mounted

However, you should seriously consider buying the a6500 if:

  • you regularly shoot indoors, or in low light
  • if you’re a travel photographer and don’t often carry a tripod
  • if you shoot video and want the best stabilization without special equipment
  • if you shoot video and want to use touch focus
  • if you shoot action in RAW format and frequently shoot longs bursts of images (longer than 10 or 20 images at a time), the buffer on the a6500 will allow you to do so.

Image and video quality in these two cameras will be identical, as far as we know. If you’re shooting RAW, there is no reason to expect a difference. If you shoot JPG or video, there is only potential for a very minor difference, since the sensors are identical.

Still, most of us will be included in the second list, since most of us shoot indoors frequently, and travel photography is perhaps the most popular of all styles. That should make the decision relatively easy for you, if you’re on the fence, especially if you shoot a lot of action.

Questions? Comments?

As usual, I’m interested to hear your opinions about these cameras, and about Sony’s choice to produce a more expensive camera less than a year after releasing the a6300. And of course, I’ll do my best to answer any questions that you may still have.

Notify of

Inline Feedbacks
View all comments

Hi Matthew, I’ve been considering a6300 for a while. I currently shoot with a Canon APS-C DSLR. I’m wondering how the Canon and Sigma Canon-mount lens could work with A6300. By the way, Sigma released its Sigma-to-Sony adapter. Have you tried the Sigma Canon mount lens on A6300? Thanks for your advise.

David B. Hinton

I am an Event photographer. I have the original Sony A7 w/Sony 24-70 F4. I also kept (from my Canon DSLR) a Canon 24-105 F4 L lens. I also plan to do “business profile video”. Would the Sony A6300 or A6500 be best?

Nick Adams

You missed a really important (perhaps most important) part of this comparison which is the A6300 will overheat well under the 30 minute recording limit, while shooting 4k, and refuse to start again until it cool down. The A6500, supposedly, will not have this issue.

Mark Molnar

Thank you for the suggestions regarding the IBIS, very useful.
I am still left in the open with respect to the use of the adapters for A-mount lenses on the a6500. The LA-EA3 is suggested by many, since its use saves light (unlike the more expensive LA-EA4). However – and this is the key question – older Minolta lenses have a screw-driven AF mechanism. If older Minolta Maxxum lenses cannot by used for this reason on the a6500 this is a very important information for potential buyers – like me. Auto focus function is important in many shooting conditions and I do not want to lose it!

Speaking about adapters: how about using other types besides those produced by Sony? I guess these would allow the use of manual focus lenses such as Minolta Rokkor (and other brands) in which case auto focus would be lost by definition.
Thank you for taking your time.
Best regards,


Great article!!

This especially made me laugh:
if you always shoot with flash or strong, bright light, you’ll be fine with the a6300. ***Not sure who this would be.***

On a serious note, have you tried the Sigma 18-35mm (or any of their Art primes) with this body in low light? If so what difference did you see from the 6300?

Thanks in advance!

Jens Peermann

Has the bottom of the a6500 body exactly the same shape and dimensions so a battery grip for the a6300 can be attached and functional?


Great article, thank you! However the lens named “Sony G Master 300mm f/2.8” is actually the Sony 300mm F/2.8G II. The G Master line is e-mount only, whereas the 300mm is a-mount.

Mark Molnar

Thank you for this very clear and informative review. For an introduction, I am a nature photographer, mostly macro, landscape and birds.
My question relates to the use of A-mount lenses on the a6300 or a6500. I have been using Minolta lenses for a long time and still have really professional quality glass. These work fine of course with the Sony SLT-57 (which I have and use often) but so far I have not moved over to the Sony mirrorless camp. Maybe for good, because there is no IBIS in the a6000 or a6300. Now the decision may be easier to make except for the cost. As far as I know the a6300 offers much more advanced AF with an adapter than the a6000 but no IS. The a6500 offers both AF and IBIS with the use of an adapter (preferably the LA-EA3 no to lose light?) for the use of A-mount lenses.
I’d be very interested to know what you think the best choice (a6300 or 6500) would be in my case. Thank you.